Tuesday, March 27, 2012

“The Sign of the Cross Is Inscribed upon the Whole Cosmos”




So do we read in Former Pope Benedict XVI’s The Spirit of the Liturgy (2000 Ignatius Press). And we thank The Adoremus Bulletin (February 2012), sent from St. Louis Missouri, for providing this excerpt.


The Fathers belonging to the Greek cultural world were more directly affected by another discovery. In the writings of Plato, they found the remarkable idea of a cross inscribed upon the cosmos (cf Timaeus 34ab and 36bc). Plato took this from the Pythagorean tradition, which in its turn had a connection with the traditions of the ancient East.

 
First, there is an astronomical statement about the two great movements of the stars with which ancient astronomy was familiar: the ecliptic (the great circle in the heavens along which the sun appears to run its course) and the orbit of the earth. These two intersect and form together the Greek letter Chi, which is written in the form of a cross (like an X).
 


The sign of the cross is inscribed upon the whole cosmos. Plato, again following more ancient traditions, connected this with the image of the deity: the Demiurge (the fashioner of the world) "stretched out" the world soul "throughout the whole universe".


Saint Justin Martyr (d. ca. 165), the Palestinian-born first philosopher among the Fathers, came across this Platonic text and did not hesitate to link it with the doctrine of the triune God and His action in salvation history in the person of Jesus Christ. He sees the idea of the Demiurge and the world soul as premonitions of the mystery of the Father and the Son - premonitions that are in need of correction and yet also capable of correction. What Plato says about the world soul seems to him to refer to the coming of the Logos, the Son of God. And so he can now say that the shape of the cross is the greatest symbol of the lordship of the Logos, without which nothing in creation holds together (cf I Apo1. 55).
 

The Cross of Golgotha is foreshadowed in the structure of the universe itself. The instrument of torment on which the Lord died is written into the structure of the universe. The cosmos speaks to us of the Cross, and the Cross solves for us the enigma of the cosmos. It is the real key to all reality. History and cosmos belong together. When we open our eyes, we can read the message of Christ in the language of the universe, and conversely, Christ grants us understanding of the message of creation.


From Justin onward, this "prophecy of the Cross" in Plato, together with the connection of cosmos and history that it reveals, was one of the fundamental ideas in patristic theology. It must have been an overwhelming discovery for the Fathers to find that the philosopher who summed up and interpreted the most ancient traditions had spoken of the cross as a seal imprinted on the universe.


Saint Irenaeus of Lyons (d. ca. 200), the real founder of systematic theology in its Catholic form, says in his work of apologetics, the Demonstration of the Apostolic Preaching, that the Crucified One is "the very Word of Almighty God, who penetrates our universe by an invisible presence. And for this reason He embraces the whole world, its breadth and length, its height and depth, for through the Word of God all things are guided into order. And the Son of God is crucified in them, since, in the form of the Cross, He is imprinted upon all things" (I, 3).


This text of the great Father of the Church conceals a biblical quotation that is of great importance for the biblical theology of the Cross. The epistle to the Ephesians exhorts us to be rooted and grounded in love, so that, together with all the saints, we "may have power to comprehend with all the saints what is the breadth and length and height and depth, and to know the love of Christ which surpasses knowledge" (3:18f).


There can be little doubt that this epistle emanating from the school of Saint Paul is referring to the cosmic Cross and thereby taking up traditions about the cross-shaped tree of the world that holds everything together-- a religious idea that was also well known in India.


Saint Augustine has a wonderful interpretation of this important passage from Saint Paul. He sees it as representing the dimensions of human life and as referring to the form of the crucified Christ, whose arms embrace the world and whose path reaches down into the abyss of the underworld and up to the very height of God Himself (cf De doctrina christiana 2,41, 62; Corpus Christianorum 32,75f).
 
....

[End of quotes]



The Eastern Orthodox Church has traditionally understood the tree of life in Genesis as a prefiguration of the Cross, which humanity could not partake of until after the incarnation, death and resurrection of Jesus.[4]

 

One of the hymns chanted during the forefeast of the nativity of Christ says:

 
“Make ready, O Bethlehem, for Eden hath been opened for all. Prepare, O Ephratha, for the tree of life hath blossomed forth in the cave from the Virgin; for her womb did appear as a spiritual paradise in which is planted the divine Plant, whereof eating we shall live and not die as did Adam. Christ shall be born, raising the image that fell of old”.[5]
 

The cross of Christ is also referred to as the tree of life, and in the service books, Jesus is sometimes likened to a "divine cluster" of grapes hanging on the "Tree of the Cross" from which all partake in Holy Communion.

 
This theme is also found in Western Christianity. By way of an archetypal example consider Bonaventure's "biography" of the second person of the Trinity, entitled "The Tree of Life." [see Cousins, The Classics of Western Spirituality Series] ….

 









Tuesday, March 20, 2012

The Holy Shroud of Jesus Christ



A Shroud Of Mystery!



An amazingly detailed picture of a bearded man who had been beaten about the body, crowned with thorns & pierced with nails through the wrists & the feet," is how Newsweek magazine described the Shroud of Turin. For centuries, this unique burial cloth has generated intense controversy. Many scholars, historians, scientists and theologians have been convinced that it is the cloth in which Jesus Christ was wrapped after his crucifixion, and that by some unknown process his image was transferred onto it.



In 1889, something extraordinary happened. Technical progress had made it possible for the first photograph of the the Shroud to be taken. As the photographer, Secundo Pia, examined his first glass-plate negative, he almost dropped it in shocked excitement. What he saw was not an unrealistic and confusing photographic negative, but a clear positive image. Highlights and shadows were reversed from those on the cloth, & were far more lifelike & realistic, & the positive image of a man's face was clearly visible. Pia's sensational photograph showed that the actual image on the Shroud was a negative image!

How could a negative image be produced on a piece of cloth centuries before the invention of photography? Scores of specialists from all over the world began to earnestly study the mysterious Shroud. Attempts made by skilled painters showed that no artist was able, even when using a model, to convert a human face by the process of the mind into a negative image, & paint it. Leo Vala, a noted photographic expert who pioneered the development of 3-D-photography, recently told Amateur Photographic magazine,

"I can tell you that NO ONE could have faked that image. NO ONE could do it today, even with all the technology we have."



The educational magazine, National Geographic, reports that the face on the Shroud, hauntingly serene in death, would grace a masterpiece of art. The body, anatomically correct, bears the frightful marks of scourging, crucifixion, & piercing--perhaps by thorns & lance. It would appear to be a portrait, uncannily accurate when matched against the Gospel accounts, of Jesus of Nazareth. Indeed, many believe that this stretch of ivory-coloured linen is the very cloth that Joseph of Arimathea placed under and over the body of Jesus in the rock-cut tomb of Golgotha nearly 2.000 years ago. (See Mark 15:46).



In 1978, the Shroud of Turin Research Project (STURP) came into being. Scores of the World's top scientists, pathologists, textile experts, chemists, physicists & photographic specialists obtained permission to spend five days thoroughly examining the mysterious cloth in Turin, Italy.

National Geographic reported, "Perhaps never before had an object of art or archeology been subjected to such exhaustive examination. The scientists bombarded the relic with ultraviolet radiation, X-rays, and examined it microscopically & took photo micrographs. With sticky tape & a vacuum device, bits of dust, pollen & other particles were captured for analysis." Their conclusions were startling.



"I was convinced it was a forgery"



confesses Dr, John Heller of Yale medical school, the blood expert of the team. Today he admits,



"NO QUESTION IN MY MIND! There was a scourged, crucified man in the Shroud."



STURP team member, Dr. Robert Bucklin, chief pathologist of the Los Angeles city morgue, states:



"If I were asked in a court of law to stake my professional reputation on the validity of the shroud of Turin, I would answer very positively & firmly that it is the burialcloth of Christ. It's Jesus Whose figure appears on the Shroud. It is not a matter of faith to me, it's just a matter of common sense. Knowing what we know, who else could this have happened to?"



One of the World's top investigative dentists, Dr. Max Frei of the University of Zurich, a specialist in tracing where a fabric has been, through microscopic pollen analysis, declares:



"My tests have convinced me that this Shroud is IN FACT the cloth in which CHRIST'S BODY was wrapped. I have isolated from the Shroud more than a dozen pollen grains from plants that grow only around Jerusalem & its deserts."



The STURP scientists concluded that the image on the Shroud could not be the work of a painter or artist, for it is too thin, & lies only on the very topmost surface of the threads, nor has it soaked into or left any deposits between the threads as would happen had it been painted. The scientists also agreed that the dark stains that permeated the image were human blood. But the question that haunts them & that has eluded their grasp is, what then could have created this mysterious image?

The general consensus is that the molecular composition of the image is similar to faint scorch of some kind, yet the scientists cannot determine by what means such a delicate image could have been made. It is now being suggested that an unknown energy force was applied to the lifeless body wrapped within the Shroud, & that a burst of extremely high intensity heat or light for an extremely short duration--probably milliseconds--somehow caused the Shroud to become a primitive polaroid film. Robert Dinager of the Los Alamos scientific laboratory in New Mexico stated,



"It seems as if the image possibly came from some short-term pulse of energy. You could say it was instantaneous. It would have had to be a pretty good amount of energy, but not too much or it would have destroyed the cloth."



For those who believe the Bible, the answer to this riddle is apparent: At the climactic moment that Jesus dead body was quickened to life, this "photograph" was left behind on His burial cloth as a silent witness of the greatest miracle that ever took place: The resurrection of Christ!



NEW EVIDENCE THAT THE SHROUD IS REAL



National Enquirer 20/11/79



The image of a coin placed over the right eye on the figure on the burial cloth actually shows the coin was minted near the time of Christ's death, according to Rev. Francis L. Filas, S.M., a top expert on the Shroud. With the assistance of coin expert Michael Marx, Father Filas has identified the image of a coin imprinted on the shroud as a coin minted only between A.D. 29 and 36. Christ died in A.D. 30. Placing coins on the eyes of the dead was an ancient burial custom in Christ's time, according to Father Filas, professor of theology at Loyola University of Chicago.



Using high quality, high contrast photos of the shroud, Father Filas and Michael Marx deciphered that the coin clearly features a tiny staff, called a "lituus," bordered by four Greek letters. That staff and the Greek letters were found only, on coins minted during Pontius Pilate's governorship of Judea, from A.D. 29 until A.D: 36.



"All coin experts agree that Pontius Pilate alone issued a coin with the staff on the back of it." Said FATHER Filas.



Marx, a coin expert for more than 35 years and owner of M. and R. Coins and Stamps in Oak Lawn, Ill. Concurs with the theologian.



"As a coin expert, I can confirm that the coin that appears on the cloth is one of the coins issued only during the last seven years that Pontias Pilate was governor of Judea--A.D. 29 to 36," he said.



"The markings on the coin date the shroud within that seven years period. The shroud is obviously real."



And Dr. Nancy Waggoner, curator of Greek coins at the American Numismatic Society, confirmed that the coins with the lituus on one side fall within the time of Pontius Pilate's governorship.



DNA Tests Find Jesus' Blood On Turin Shroud





Electronic Telegraph



The Turin Shroud will be at the center of fresh controversy when a scientist details his claims to have isolated DNA from the "blood of Jesus." In his book, The DNA of God?, DR Leoncio Garza-Valdes, a former professor of microbiology, describes tests carried out by colleagues at the University of Texas which show that the "red" areas on the cloth, far from being paint, are ancient blood stains of a group consistent with a Jewish male. The book details the experiments which show that the "blood" on the shroud is ancient and contains XY chromosomes--which establishes it as human and male. The tests were conducted by a team headed by Dr Victor Tryon, director of the Center for Advanced DNA Technology at the University of Texas Health Science Center.

Gene segments from the stains showed that the blood came from a male with an AB blood type, common among Jewish people. Dr Garza-Valdes, a practicing Catholic, said that the placing of the blood traces strongly indicated that the body was that of Jesus.



"Not many people in the first century suffered all those lesions, the crucifixion wounds, the crown of thorns, the spear wound in the right side of the chest, the flagellations," he said.



A list of definitive results from research carried out this century:



The image is not a painting, and it was left by the corpse of a man who was beaten and crucified. Computer processing has shown that the image has three-dimensional properties, something which neither paintings nor standard photographs possess.

Pollens have been found on the cloth, strongly supporting the view that the Shroud spent time not only in Europe but also in the Near East.

Tests on traces of blood from the Shroud have revealed the presence of human blood from blood group AB.

In 1988, carbon-14 dating was carried out on a fragment of the Shroud. The results date the fabric to between 1260 and 1390 AD

The scientific community itself now questions these results, and more recent experimental studies have reopened the debate.



Characteristics of the Shroud image include:



"CLEAR IMAGE. The body image is so well resolved that even features as detailed as the lips are discernible. This remarkable property revealed by photography is way beyond all attempts at artistic imitation or laboratory reconstitution.



SUPERFICIAL IMAGE. The body image penetrates the cloth no more than a few fibrils and is limited to the crowns of the threads. The body image fibrils are individually colored but their coloring does not follow the bends or crevices connected with the intersecting threads of the weave. Furthermore, the fibrils are not cemented and there is no additional pigment to account for the macroscopic image color.



THREE DIMENSIONAL IMAGE. The intensity of the frontal body image correlates overall with expected separation distances between an assumed body and the enveloping cloth. This correlation is independent of implied body surface composition such as the skin, hair, etc.



ABSENCE OF SIDE IMAGES. There are no side images to be seen surrounding the front and back body images, not even in the region the two heads.



OXIDATION. The chemical formation of the body image is due to a change in the cellulose of the cloth, in particular a conjugated carbonyl structure associated with dehydration.



BLOOD. The red image stains are formed of blood and/or blood derivatives.



VERTICAL ALIGNMENT OF THE IMAGE. The Shroud is draped naturally over a body lying horizontally, but the frontal body image aligns vertically over corresponding features on that body.



WEIGHTLESSNESS. Maximum intensities of the front and back images are practically equal."

- Bruno Bonnet-Eymard, "Physics and Chemistry of A Glorious Body and of A Glorious Blood"



"The arms would be too long if the Shroud Man would be flatly reclining. The arms, however are entirely parallel with the surface of the Shroud and we see them in linear full length. The torso, the thighs, the lower legs on the other hand we see shortened by geometric perspective and not in full length. They stand at an angle to the surface. "

- Isabel Piczek, "Is the Shroud of Turin a Painting?"



Height calculations of the figure on the Shroud vary greatly due to the difficulty of taking into account factors such as the foreshortening of the legs, the extended position of the feet, and any possible stretching in the cloth. The most common estimate is 6 ft 11 in. Proportionately, however, the head on the Shroud is 1/9 of the body instead of the average 1/8. Using this as a basis for estimation of height, Picknett and Prince concluded:



"Our calculations put the height of the man on the Shroud - at the front - at 203cm...Put in imperial measurements we calculate that the front image is 6 ft 8 in and the back 6 ft 10 in"

- Lynn Picknett & Clive Prince, Turin Shroud - In Whose Image? The Shocking Truth Unveiled (1994)



If Jesus was treated according to Jewish burial practices, "signs of the bandages around the hands, feed and head ought to appear on the Turin Shroud.

"They do not. If the shroud had been tied down there would be clear crease marks, which there are not. It did not fall closely over the sides of the body, and this agrees with the temporary nature of Joseph's and Nicodemus' attentions, for they expected the final burial to be made after the Passover. Then the body would have been more securely wrapped."

- Alan Millard, Discoveries From the Time of Jesus













© Site Copyright 2000 Beyond the Stars Productions

 
Taken from: http://users.belgacom.net/gc674645/shroud/shroud1.htm

Great Lighthouse CD on Shroud of Turin




The Passion of Christ In Light of the Holy Shroud of Turin


Fr. Francis Peffley



The Holy Shroud of Turin was called the greatest relic in Christendom by Pope John Paul II. In fact, the Shroud is the most studied scientific object in the entire world. Fr. Peffley presents new and detailed scientific and medical evidence for the authenticity of the Holy Shroud. This presentation brings greater clarity as to the depth of the agony of our Lord's sorrowful Passion, which he voluntarily took on for love of us.



And, at: http://friendsforjesus.com/viewtopic.php?t=4545&sid=b467c60a38e1aa310724c04eb783dd6a



The talk is given by a Priest who has studied a lot of the scientific research and findings of the Shroud.



The cloth is long and is the size of those commonly used at that time for covering a table...also they could tell because of the fine-ness of the linen, which is much nicer than the things usually used to bury people in at that time.



Also, along one side of it there are some kind of markings, oil stains, etc. left behind from people having eaten on this cloth. It was common at that time that the people being served would sit on just one side of the table and they would be served from the front. Something in Jewish practice made it such that food was not to be passed behind people, only in front of them. The stains are possibly from people dipping bread in oil, etc. just like today.



It is a beautiful talk, get this CD if you can! It is called



The Passion Of Christ in Light of the Holy Shroud of Turin.



By Fr. Francis Peffley



Lighthouse Catholic Media.



_________________



For as often as you eat this bread and drink the cup, you proclaim the Lord's death until He comes.



1Cor.11:26

Tuesday, February 21, 2012

Lost Jesus Sutras Reveal Ancient Chinese Christianity


It’s an amazing story, one only now being told. More than 1,300 years ago, a Persian Christian monk named Aleben traveled 3,000 miles along the ancient caravan route known as the Silk Road all the way to China, carrying precious copies of the New Testament writings (probably in Syriac). Aleben and his fellow Christian monks stopped in the Chinese city of Chang-au (Xian), where, under the protection of the Tang Dynasty Emperor Taizong, he founded a CHristian monastery and began the arduous task of translating the Christian texts into Chinese. It was the year A.D. 635. When the Italian explorer Marco Polo arrived in China nearly 600 years later, he was astonished to discover that a tiny Christian community had existed there for centuries.

We know about this amazing Christian evangelist and his genial Chinese hosts because in 1623 graver diggers working outside of Xian dug up a stele weighing two tons and carved with 2,000 Chinese characters. Now known as the Monument Stele and residing in a museum in Xian, It was created in A.D. 781 and tells the tale Aleben and what the Chinese writers called “the Luminous Religion” because it taught of light. Here is what the Stele proclaimed:
The Emperor Taizong was a champion of culture. He created prosperity and encouraged illustrious sages to bestow their wisdom on the people. There was a saint of great virtue named Aleben, who came from the Qin Empire carrying the true scriptures. He had read the azure clouds and divined that he should journey to the East. Along the way, Aleben avoided danger and calamity by observing the rhythm of the wind.
In the ninth year of the Zhenguan reign [A.D. 635], Aleben reaching Chang-an [Zian]. The Emperor sent his minister, Duke Xuanling, together with a contingent of the palace guard, to the western outskirts to accompany Aleben to the palace.
The translation work on his scriptures took place in the Imperial Library and the Emperor studied them in his Private Chambers. After the Emperor became familiar with the True Teachings, he issued a decree and ordered that it be propagated…
… the Emperor issued a proclamation, saying:
“We have studied these scriptures and found them otherworldly, profound and full of mystery.
We found their words lucid and direct.
We have contemplated the birth and growth of the tradition from which these teachings sprang.
These teachings will save all creatures and benefit mankind, and it is on ly proper that they be practiced throughout the world.”
Following the Emperor’s orders, the Greater Qin Monastery was built in the I-ning section of the Capital. Twenty-one ordained monks of the Luminous Religion were allowed to live there…
The Emperor Gaozong [A.D. 650-683] reverently continued the tradition of his ancestor and enhanced the Luminous Religion by building temples in every province. He bestowed honors upon Aleben, declarin ghim the Great Dharma Lord of the Empire. The Luminous Religion spread throughout all ten provinces, the Empire prospered and peace prevailed. Temples were built in 100 cities and countless families received the blessings of the Luminous Religion.
Christianity flourished in China for at least two hundred years. But then, around A.D. 850, Chinese leaders began a purge of foreign religions, including Buddhism. Buddhist temples were destroyed and, according to one source, more than 3,000 monks of the “Luminious Religion” were ordered to return to lay life.
For more than 1,300 years, scholars and missionaries have searched for the lost scriptures that Aleben translated into Chinese — and for his monastery. A breakthrough finally occurred in the late 1880s when a lonely Taoist monk named Wang Yuanlu discovered 50,000 lost Chinese manuscripts hidden away in more than 500 caves in Dunhuang. Amazingly enough, it wasn’t until about a decade ago, in 1998, that the full story was told. The Dunhuang manuscripts are sort of the Dead Sea Scrolls of ancient China, a cache of long-buried treasures that reveal a tremendous amount about life in ancient China — including the strange story of how the “Luminous Religion” took root there and blended with Taoist and Confucian elements to create a uniquely Chinese form of Christianity. The discovery of these ancient Chinese texts by western scholars — and their dissemination to museums in France and Britain — along with the many decades it took to get them translated and published — very much resembles the story of the Dead Sea Scrolls.
Of the 50,000 manuscripts discovered at Dunhuang, only eight comprise what are now known as the Jesus Sutras. Nevertheless, they clearly show Christian influence. They paraphrase passages from the New Testament and thus provide direct evidence that the ancient Chinese writers of these texts clearly knew the Gospel accounts:
“Do not pile up treasures on the ground where they will rot or be stolen. Treasures must be stored in Heaven where they will not decay or rot.”
“Always tell the truth. Do not give pearls to swine; they will trample and destroy them. You will only be blamed by them for your actions and incur their anger. Why don’t you realize this yourself.”
“Knock on the door and it will be opened for you. Whatever you seek, you will obtain from the One Spirit. Know on the door and it will be opened for you.”
“Look at the birds in the air. They don’t plant or harvest, they have no barns or cellars. In the wilderness the One Spirit provided for the people and will also provide for you. You are more important than the birds and should not worry.”
The Jesus Sutra texts clearly are attempting to translate Christian ideas and ideals into an idiom that the Chinese people — steeped in Buddhist, Taoist and Confucian concepts — can understand. Thus, the Jesus Sutras speak of the “Higher Dharma” that leads to Peace and Joy. “It is the Sutras of the Luminous Religion that enable us to cross the sea of birth and death to the other shore, a land fragrant with the treasured aroma of Peace and Joy,” the Sutras proclaim. “The Sutras are like a great fire burning upon a high mountain. The light from that fire shines upon all.”
Here is how the Jesus Sutras relate the story of Jesus:
The Lord of Heaven sent the Cool Wind to a girl named Mo Yen. It entered her womb and at the moment she conceived. The Lord of Heaven did this to show that conception could take place without a husband. He knew there was no man near her and that people who saw it would say, “How great is the power of the Lord of Heaven.”…
… Mo Yen became pregnant and gave birth to a son named Jesus, whose father is the Cool Wind.
… When Jesus Messiah was born, the world saw clear signs in heaven and earth. A new star that could be seen everywhere appeared in heaven above. The star was as big as a cart wheel and shown brightly. At about that time, the One was born in the country of Ephrath in the city of Jerusalem. He was born the Messiah and after five years he began to preach the dharma.
… From the time the Messiah was 12 until he was 32 years old, he sought out people with bad karma and directed them to turn around and create good karma by following a wholesome path. After the Messiah had gathered 12 disciples, he concerned himself with the suffering of others. Those who had died were made to live. The blind were made to see. The deformed were healed and the sick were cured.
… For the sake of all living beings and to show us that a human life is as frail as a candle flame, the Messiah gave his body to these people of unwholesome karma. For the sake of the living in this world, he gave up his life.
… After the Messiah had accepted death, his enemies seized the Messiah and took him to a secluded spot, washed his hair and climbed to “the place of skulls,” which was called golgotha. They bound him to a pole and placed two highway robbers to the right and left of him. They bound the Messiah to the pole at the time of the fifth watch of the sixth day of fasting. They bound him at dawn and when the sun set in the west the sky became black in all four directions, the earth quaked and the hills trembled. tombs all over the world opened and the dead came to life. What person can see such a thing and not have faith in the teaching of the scriptures? To give one’s life like the Messiah is a mark of great faith.
Fascinating stuff, no? To see this early form of Christianity — delivered by means of a Nestorian monk in the 6th century — through the eyes of the poetic, Taoist-influenced Chinese translators and scribes is to go back in time. It is yet another reminder of the universality of the Gospel message, how it transcends all culture and language and philosophical concepts. Christian yogis, above all, who seek wisdom from the East as well as from our own traditions, should appreciate this.
As the Apostle Peter tells the righteous Roman centurian Cornelius, following his vision: “I see clearly now that God is not one to show partiality, but in every nation the man who fears Him and does what is right is welcome to Him (Acts 10: 34-5).” We Christians who seek wisdom from the East.
If you’re interested in this topic, you can discover more in The Lost Sutras of Jesus: Unlocking the Ancient Wisdom of the Xian Monks, edited by Ray Riegert and Thomas Moore (Berkeley: Seastone, 2003).   A much more scholarly work, and without the frequently anti-Christian tone of Riegert and Moore, is Martin Palmer’s The Jesus Sutras: Rediscovering the Lost Scrolls of Taoist Christianity (Wellspring/Ballantine, 2001).
....

Taken from: http://christianyogamagazine.com/meditation/lost-jesus-sutras-reveal-ancient-chinese-christianity

Saturday, February 11, 2012

Archbishop Fulton J. Sheen: Personal Encounters With Jesus in the Eucharist


"Neither theological knowledge nor social action alone is enough to keep us in love with Christ unless both are proceeded by a personal encounter with Him. Theological insights are gained not only from between two covers of a book, but from two bent knees before an altar. The Holy Hour becomes like an oxygen tank to revive the breath of the Holy Spirit in the midst of the foul and fetid atmosphere of the world."

~ Servant of God Archbishop Fulton J. Sheen ~

Jesus, my Lord, my God, my all,
How can I love Thee as I ought?
And how revere this wond'rous gift,
So far surpassing hope or thought.
Sweet Sacrament, we Thee adore.
O make us love Thee more and more!
O make us love Thee more and more!
Had I but Mary's sinless heart,
To love Thee with, my dearest King;
O with what bursts of fervent praise,
Thy goodness, Jesus, would I sing!
Sweet Sacrament, we Thee adore.
O make us love Thee more and more!
O make us love Thee more and more!
William Faber, an English convert to Catholicism wrote this and other beautiful hymns which today can be found in both Catholic and Protestant hymnals.
~AN APPEAL FOR ONE HOUR OF EUCHARISTIC ADORATION FOR PRIESTS ~

Mary, Mother of Jesus Christ, Eternal High Priest, Mother of all priests, and our Mother, help us respond generously to the Holy Spirit's request, through the voice of His Church, to offer up to God Eucharistic adoration for priests. Amen.

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Tuesday, January 24, 2012

Saint Ephrem Syrus: A Treatise on Penitence


Matthias Henze




THE MADNESS OF KING NEBUCHADNEZZAR

The Ancient Near Eastern Origins and Early History

of Interpretation of Daniel 4



Brill, 1999





P. 157



… At three different occasions throughout his work Ephrem turns to the Book of Daniel for longer exegetical reflections….. In a single hymn entitled De Ecclesia, which according to its content belongs to the four hymns Contra Julianum rather than to Ephrem’s larger hymn cycle by the same name, Ephrem meditates on the duress the church is experiencing under pressure from Julian….. In stanzas 6-7, he urges his fellow Christians to follow the examples set by Daniel in the lions’ den as well as by the lads in the fiery furnace, who clung to their Christian [sic] beliefs and hence came out of their trials unharmed.



The love of Him who gives life to all,

tested Daniel,

by the condition they have contrived,

the schemers, to silence

his acceptable prayer

which laid bare their idols.

they brought shame on their images

all unwittingly.

He put an end to their worship

that One might be worshipped by all.

Blessed be he whose true ones

convicted the deceivers.



It [i.e., the vine as a symbol or the Church] bent and cast

its friends in the fire,

yet its leaves bore dew

and cooled the furnace.

The arms of the conqueror

were conquered, though he had decreed

that the Most High before his images

should bend.



P. 158



His friends who forsook him not

by Him were not forsaken.

Blessed is He who in place of an image

is praised by His worshippers. ….



The second reference is found in the Hymns on the Fast. Ephrem once again commends Daniel and his three companions for their pious zeal and virtuous endurance in times of trial. No less than three hymns of this cycle (VII-IX) are devoted to Daniel and his three companions.

….



Thirdly, we find a masterful exegetical exposition of the legend about Nebuchadnezzar’s madness in a cycle of hymns entitled Hymns on Paradise. In this cycle, which was most likely composed during Ephrem’s years in Edessa (363-373), Ephrem elaborates beautifully on the biblical Paradise narrative in Gen 2-3. Rather than providing a running commentary on the Genesis account as he has done elsewhere, …



P. 159



Ephrem chooses to meditate on various themes he deems essential for a theological understanding of Paradise, such as Paradise as sacred space (and time), Paradise and the Church, Paradise and the Spirit, etc. The entire cycle is richly embellished with biblical allusions.

Our text is taken from hymn XIII of the Hymns of Paradise …. The hymn is organized around a comparison of Adam’s expulsion from Paradise on the one hand and Nebuchadnezzar’s exile among the beasts of the field on the other. The previous hymn, hymn XII, ends with a reflection on the different nature of animals and human beings in creation. Animals do not know guilt or shame and, having no part in the resurrection, cannot be blamed for any wrongdoing (XII.19). Adam and Eve, on the contrary, were created and bestowed with a free will, because God wanted them to win the crown of immortality. Stanza 20, the last stanza of hymn XII, articulates the moral conclusion and hence forms the transition to our hymn. “The fool, who is unwilling to realize his honorable state, prefers to become just an animal, rather than a man, so that, without incurring judgment, he may serve naught but his lust”. The fool who becomes like an animal foreshadows the comparison of Adam’s and Nebuchadnezzar’s lot. The stage is set for hymn XIII. Our reading begins with stanza 2.



2. In the beginning God created the creation,

the fountainhead of delights;

the house which he constructed

provisions those who live therein,

for upon His gift

innumerable created beings depend;

from a single table

does He provide

every day for each creature

all things in due measure (Ps. 145:15-16).

Grant that we may acknowledge

Your grace, O Good One.



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RESPONSE: Through Your grace make me worthy

of that Garden of happiness.



3. A garden full of glory,

a chaste bridal chamber,

did he give to that king

fashioned from the dust,

sanctifying and separating him

from the abode of wild animals;

for glorious was Adam

in all things –

in where he lived and what he ate,

in his radiance and dominion.

Blessed is He who elevated him above all

so that he might give thanks to the Lord of all ….



In these two stanzas Ephrem articulates his view of Paradise and its (theological) geography. He conceives of Paradise as a circular mountain which circumscribes the entire world. When Cain says to Abel in the Peshitta, “Let us go the valley …” (Gen 4:8, Syriac pqatā’, the Hebrew is lacking at this point; the LXX reads εìς τò πεδíον, i.e., ‘to the field’), this implied for Ephrem that their home was on a mountain. ….

The Paradise mountain is then divided further into three concentric circles, designating three levels of sacred space. A careful reading of the Genesis narrative provides the key to understanding the distinctive qualities of these three degrees of holiness. In Gen 3:3 Eve reports to the serpent that God had commanded them not to touch the tree (Hebrew lō(̒) tigg’û bô). Hebrew nāga‘ is ambiguous and can mean either ‘to touch’, or ‘to draw near’. The ambiguity is retained in the Peshitta (Syriac lā(’) tetqarrbûn), yet the verb used in Syriac (qreb in the Ethpa.) readily lends itself to Ephrem’s interpretation, which reads the command to mean ‘to approach’, rather than ‘to touch’. The Syriac thus implies that the divine prohibition was rather strict in nature and ruled out not only the touching of, but even the drawing near to, the tree. In his Commentary on Genesis, Ephrem offers the same interpretation.



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The tempter then turned his mind to the commandment of Him who had set down the commandment, that [Adam and Eve] were not only commanded not to eat from one single tree, but they were not even to draw near to it. The serpent then realized that God had forewarned them abut even looking at it lest they become entrapped by its beauty. […]

The serpent remained silent, for it perceived immediately that Eve was about to succumb. It was not so much the serpent’s counsel that entered her ear and provoked her to eat from the tree at it was her gaze, which she directed toward the tree, that lured her to pluck and eat of its fruit…..



The fact that Adam and Eve were forbidden even to draw near to the tree called for an explanation. In his commentary, Ephrem suggest that Eve had to be guarded from gazing at the tree simply because the tree’s beauty would have enticed her immediately into longing for the fruit – which is, after all, what happened after the serpent seduced her. In his Hymns on Paradise, however, Ephrem provides a different explanation. The closest analogue for the divine prohibition not to draw near in the Hebrew Bible is found in passages that deal with notion of sacred space, such as the theophany at Mount Sinai, or the Divine Presence in the Temple in Jerusalem. In either case we find a tripartite structure, i.e., three concentric circles which serve as demarcations of increasing degrees of holiness organized around the divine presence in the center. God’s command to Eve not to draw near to the tree therefore had to imply that the geography of Paradise followed the same pattern. On the summit of Mount Paradise stood the Tree of Life, representing the divine presence, or the Holy of Holies, an area Adam and Eve were not allowed to enter (cf. Hymns on Paradise III.3). The Tree of Knowledge marked the demarcation line (analogous to the veil in the sanctuary; cf. III.13.17) to the next level, the slopes of the mountain. The lower slopes, finally, indicate the realm where the animals lived. Along the foothills is the fence, produced by the cherub with the revolving sword (IV.1).

Returning to stanza three in hymn XIII, the “garden full of glory, a chaste bridal chamber” is a common epithet for Mount Paradise in Ephrem’s hymns. Adam, here referred to as king, was fashioned from dust, still within the lower slopes of the mountain, an area he



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shared with the beasts. He names the animals, as Ephrem reports in the previous hymn, … and is venerated by them. Adam then discovers his need for a mate, and God creates Eve. It is at this point that Adam and Eve are separated geographically from the animals and enter the middle slopes of the garden. In the words of our hymn (XIII.3), God was “sanctifying and separating him from the abode of wild animals; for glorious was Adam in all things – in where he lived and what he ate, in his radiance and dominion”.

Ephrem is quite specific about the distinctive qualities of Adam’s and Eve’s new environ: no animals dwell here. The first human beings are thus blessed with a unique domicile, food, radiance, and dominion. These last lines, of course, anticipate the comparison with Nebuchadnezzar, who claimed many of the same privileges.



4. The king of Babylon resembled

Adam king of the universe:

both rose up against the one Lord

and were brought low;

He made them outlaws,

casting them afar.

Who can fail to weep,

seeing that these free-born kings

preferred slavery

and servitude.

Blessed is He who releases us

so that His image might no longer be in bondage.



At this point, Ephrem introduces the key hermeneutic maneuver of the entire hymn, the exegetical coordination of Adam and Nebuchadnezzar. The obvious analogies between the two kings are quickly outlined. Like Adam, Nebuchadnezzar indulged in royal splendor. Yet, both heroes proved unable to remain content with their appointed



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status. Becoming increasingly greedy, they grew arrogant before God. Even their swift punishments were analogous in that both were expelled into an exile among the beasts.



5. David wept for Adam,

at how he fell

from that royal abode

to the abode of wild animals (Ps 49:13).

Because he went astray through a beast

he became like the beasts:

He ate, together with them

as a result of the curse,

grass and roots,

and he died, becoming their peer.

Blessed is He who set him apart

from the wild animals again.



The discussion returns to Adam, and a new text is introduced, Ps 49:13, “Man (Hebrew ’ādām) does not abide in (Hebrew yālîn) honor; he is like the beasts that perish.” Like the rabbis, Ephrem saw in the third part of the biblical canon a storehouse of interpretive tools which, once juxtaposed with a verse from the Torah, shed light on the cryptic line under consideration. Jewish exegetes read the verse from Psalm 49 as an explanation about how long Adam resided in Paradise: Adam was expelled from his elevated status in less than a day’s time. ….

Ephrem chooses a different interpretation. In the Peshitta, the first half of verse 13 reads, “Man (Syriac bārnā šā’) did not take notice (Syriac ’etbayyan) … of his honor”, which Ephrem understands to imply that Adam, here understood as the individual, rather than as the collective as the Syriac would suggest, took no cognizance of his



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elevated status he enjoyed at the moment when God led him (and Eve) away from the animals to the next higher level on Mount Paradise. Adam was careless and forfeit his privileged status.

The stanza provides us with the first glimpse into the ultimate message Ephrem seeks to communicate through his comparison of Adam and Nebuchadnezzar, and to which he will return at greater length in a short moment. Like Adam, we as well are unaware of our present status. Ephrem’s goal thus is to enable us to see what we have lost, since only by discerning this loss can we appreciate what we are lacking and develop a desire to be restored.



6. In that king [i.e., Nebuchadnezzar],

did God depict Adam:

since he provoked God by his exercise of kingship,

God stripped him of that kingship.

The Just One was angry and cast him out

Into the region of wild beasts;

he dwelt there with them

in the wilderness

and only when he repented did he return

to his former abode and kingship.

Blessed is He who has thus taught us to repent

so that we too may return to Paradise.



The parallels between the two biblical accounts are striking indeed and invite comment. Adam was cast into the lower slopes of the animals where he is made to share their life and even their diet (“But your food shall be the grasses of the field”, Gen 3:18). Nebuchadnezzar, too, was sent into the wilderness, roaming the steppe like a wild animal, eating herbs and roots, and growing out his hair and nails.

The punishment is justified, as Ephrem is quick to point out by referring to God as the “Just One.” Frequently throughout the Hymns on Paradise Ephrem employs the two divine attributes of Grace and Justice, also known in rabbinic literature as middat haddîn and middat harahămîn, or in Ephrem’s terminology the “Just One” and the “Good One.” For Ephrem, this rabbinic notion of God’s justice and grace is inseparably linked with the notion of the human free will. …. In XIII.4 Ephrem had already stressed that both Adam and



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Nebuchadnezzar acted out of their free will (“Who can fail to weep, seeing that these free-born kings preferred slavery and servitude”). Once again, the paraenetic force behind Ephrem’s remarks is unmistakable. With the Church corresponding to Paradise, every Christian is put to the test just like Adam. The test is not about the fruit of the tree, but about obedience to Christ whose fruit we may enjoy daily. ….Christians are to respond by properly using the divine gift of free will. Earlier in the cycle, Ephrem expresses this crucial concept as follows:



Blessed indeed is that person on whose behalf

they [i.e., the assembly of Saints] have interceded before

the Good One,

before the Just One.

Those whom the Good One loves shall be in Eden,

those whom the Just One rejects, in Sheol. (VI.19)



Ephrem dwells on the parallel between Adam and Nebuchadnezzar at some length – while emphasizing that it is not complete. In the previous stanza we learned about Adam that “he ate, together with them as a result of the curse, grass and roots, and he died, becoming their peer”. (XIII.5). The equivalent line about Nebuchadnezzar reads quite differently, “he dwelt there with them [i.e., the animals] in the wilderness and only when he repented did he return to his former abode and kingship.” (XIII.6). Adam’s fall is final, and his transgression does not allow for repentance. In fact, Adam returned to Paradise only with the advent of the second Adam – who is, of course, Christ. …. With Nebuchadnezzar the situation is different. The



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monarch finds a terminus to his penance and is immediately reinstalled into his royal splendor. This, then, is the rationale for the Nebuchadnezzar episode: it provides us with a figura of our own situation. Just as Nebuchadnezzar found release from his sin through penitence, so can we.



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7. Because it was not easy

for us to see our fallen state –

how and whence we had fallen

at the very outset –

He depicted it all together

in that king,

portraying in our fall

his fall,

and portraying our return

in his repentant return.

Praise to Him who delineated

this likeness for the repentant.



8. Although he disliked

the abode of wild beasts

it was necessary

for the king to remain there;

yet, despite his madness and error,

he recalled that he was a man

and prayed that he might be returned

to his own former abode;

and when the Good One returned him,

he gave thanks to Him for His compassion.

Blessed is He who gave us in him

an example of returning.



The same ease which allows Ephrem to move from Adam the individual to Adam the collective and vice versa is now transferred to Nebuchadnezzar. Nebuchadnezzar’s fate becomes, in the words of Anderson, “a virtual précis of the human condition. For Ephrem, our level of self-knowledge is so low that we have no consciousness of our present duress. In this sense Adam was more fortunate than us, for the sharp contrast between his existence in the Garden and the wilderness impressed upon him the magnitude of his transgression.” …. The same holds true for Nebuchadnezzar. After seven years in exile among the beasts of the field, Nebuchadnezzar finally came to realize the full extent of the loss he suffers, and “he recalled that he was a man”. In this respect, Adam and Nebuchadnezzar were privileged indeed. The gravity of their affliction dispersed any doubts about the seriousness of their offense. Here Ephrem’s use of divine epithets is again deliberate. Once Nebuchadnezzar comes to realize the gravity of his fall, he begins to pray, and the “Good One” heeds



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his prayer. The harsh punishment was necessary, not because it was called for in accordance with the divine measure for measure principle, as both the rabbis and Aphrahat would have it, but because it served a double paraenetic purpose. First, it quickened the king’s memory and enabled him to secure his return through penitence. And second, it reminds us of our fall. Looked at from this perspective, Nebuchadnezzar’s animalization is not an expression of divine retribution, but an act of loving chastisement. The reader is reminded of the exhortatory nature of Ephrem’s hymn. In the words of the Psalmist, “Happy is the man whom you discipline, O Lord, the man you instruct in your teaching” (Ps 94:12).

Our problem, as Ephrem explains, is that we have become used to our lives “among the animals”. (XIII.10) Not only have we lost any appreciation for the glorious existence for which we were intended, we have to be redeemed against our own wills.



9. Look at how great is our shame

in comparison:

our very confinement in darkness

has become for us a source of pleasure;

we are proud

of the land of curses;

how we love

our confinement in a pit!

Like the Egyptians we

are drowning in the sea.

Blessed is He who has had pity on us

so that we should not be left in this our state.



10. The Good One in His love

wished to discipline us for doing wrong,

and so we had to Ieave Paradise

with its bridal chamber of glory;

He made us live with the wild beasts,

which caused us sorrow,

so that we might see how little

our honor had become,

and so would supplicate Him and beg to return

to our inheritance.

Praise be to Him who released

these prisoners who have no wish to be free!



The fate of Adam and Nebuchadnezzar directly points at, or better stated, becomes a type of our own situation. We have become so accustomed to our debased nature that God has to chastise us as well, hoping that we too repent and “beg to return to our inheritance.”



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11. In both his mind and understanding

was the king of Babylon childlike,

but through our Lord, my brethren,

your understanding is complete.

He returned to Babylon:

Both he and the city have vanished;

but do you, my brothers,

seek your city,

for both you and it

shall endure forever.

Happy are those who live there,

for in it none ever need to be buried.



The analogy between Nebuchadnezzar's fate and our own lives is not complete, as Ephrem emphasizes in his concluding stanza on the Babylonian king. Having lived in a pre-Christian era, Nebuchad¬nezzar's understanding was limited, and both he and his city were doomed to vanish. With the coming of Christ, however, we are granted insight into God's plans, so that our understanding is in fact complete. The imagery of the city ("You, my brothers, seek your city, for both you and it shall endure forever") brings us back to where we started, the notion of Paradise. In the following hymn, hymn XIV, which continues both the acrostic and the theme of hymn XIII, Ephrem elaborates on the concept of Paradise as an eternal city (XIV.4).



We should learn from Daniel,

who prayed

that he might come up from Babylon

to the land of promises (cf. Dan 9:15-19);

Babylon is the likeness of this earth,

full of curses.

God gave us this type which He depicted

so that we too

might pray that we return

to our dwelling in Eden.

Blessed is He who brings us forth

through grace to our goal.



The happy ending in Dan 4 was not so happy after all, for although Nebuchadnezzar was restored into his former position, he died just as Adam did. We, on the other hand, are called to live in the eter¬nal city. Again in the words of Ephrem (XIV.7), "let us too return to our Fathers' house, my brethren, and not become captivated with desire for this transient earth - for your true city is in Eden." (cf. Hebr. 11:16).



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Ephrem's insightful illustration of Nebuchadnezzar's madness marks a major caesura in the Syriac reception history of Dan 4. Whereas Aphrahat closely followed the rabbinic reading of Dan 4 as a force¬ful story about divine retribution leveled at a human king who thought himself divine, Ephrem places the emphasis solely on the penitential aspect. The punitive side of Nebuchadnezzar's transformation is retained, to be sure, but punishment now becomes chastisement. It comes to serve a larger purpose, i.e., to confront Nebuchadnezzar - and through him the whole of Christianity - with the reality of humanity's fallen state, in an effort to evoke a desire for ultimate restoration. Nebuchadnezzar's lamentable exile becomes a mirror of the human condition per se, and the notorious king becomes a model penitent. ….



Sunday, January 8, 2012

Baptism of the Lord - Pope Benedict XVI




The Baptism of the Lord Isaiah 42:1-4,6-7 ─ Acts 10:34-38 ─ Matthew 3:13-17 January 9, 2011



MASS IN THE SISTINE CHAPEL AND ADMINISTRATION OF THE SACRAMENT OF BAPTISM HOMILY OF HIS HOLINESS BENEDICT XVI Feast of the Baptism of the Lord Sunday, 13 January 2008 Dear Brothers and Sisters, Today’s celebration is always a cause of special joy for me. Indeed, the administration of the Sacrament of Baptism on the Feast of the Baptism of the Lord is one of the most expressive moments of our faith, in which we can almost see the mystery of life through the signs of the liturgy. In the first place, there is human life. It is represented here in particular by these 13 children who are the fruit of your love, dear parents, to whom I address my cordial greeting, which I extend to the godparents and the other relatives and friends present. Then comes the mystery of divine life which God gives to these little ones today through rebirth in water and the Holy Spirit. God is life, as some of the pictures that embellish this Sistine Chapel marvelously evoke. Yet it does not seem out of place if we immediately juxtapose the experience of life with the opposite experience, that is, the reality of death. Sooner or later everything that begins on earth comes to its end, like the meadow grass that springs up in the morning and by evening has wilted. In Baptism, however, the tiny human being receives a new life, the life of grace, which enables him or her to enter into a personal relationship with the Creator for ever, for the whole of eternity. Unfortunately, human beings are capable of extinguishing this new life with their sin, reducing themselves to being in a situation which Sacred Scripture describes as “second death”. Whereas for other creatures who are not called to eternity, death means solely the end of existence on earth, in us sin creates an abyss in which we risk being engulfed for ever unless the Father who is in Heaven stretches out his hand to us. This, dear brothers and sisters, is the mystery of Baptism: God desired to save us by going to the bottom of this abyss himself so that every person, even those who have fallen so low that they can no longer perceive Heaven, may find God’s hand to cling to and rise from the darkness to see once again the light for which he or she was made. We all feel, we all inwardly comprehend that our existence is a desire for life which invokes fullness and salvation. This fullness is given to us in Baptism. We have just heard the account of the Baptism of Jesus in the Jordan. It was a different Baptism from that which these babies are about to receive but is deeply connected with it. Basically, the whole mystery of Christ in the world can be summed up in this term: “baptism”, which in Greek means “immersion”. The Son of God, who from eternity shares the fullness of life with the Father and the Holy Spirit, was “immersed” in our reality as sinners to make us share in his own life: he was incarnate, he was born like us, he grew up like us and, on reaching adulthood, manifested his mission which began precisely with the “baptism of conversion” administered by John the Baptist. Jesus’ first public act, as we have just heard, was to go down into the Jordan, mingling among repentant sinners, in order to receive this baptism. John was naturally reluctant to baptize him, but because this was the Father’s will, Jesus insisted (cf. Mt 3: 13-15). Why, therefore, did the Father desire this? Was it because he had sent his Only-Begotten Son into the world as the Lamb to take upon himself the sins of the world (cf. Jn 1: 29)? The Evangelist recounts that when Jesus emerged from the waters, the Holy Spirit descended upon him in the form of a dove, while the Father’s voice from Heaven proclaimed him “my beloved Son in whom I am well pleased” (Mt 3: 17). From that very moment, therefore, Jesus was revealed as the One who came to baptize humanity in the Holy Spirit: he came to give men and women life in abundance (cf. Jn 10: 10), eternal life, which brings the human being back to life and heals him entirely, in body and in spirit, restoring him to the original plan for which he was created. The purpose of Christ’s existence was precisely to give humanity God’s life and his Spirit of love so that every person might be able to draw from this inexhaustible source of salvation. This is why St Paul wrote to the Romans that we were baptized into the death of Christ in order to have his same life as the Risen One (cf. Rom 6: 3-4). For this reason Christian parents, such as you today, bring their children to the baptismal font as soon as possible, knowing that life which they have communicated calls for a fullness, a salvation that God alone can give. And parents thus become collaborators of God, transmitting to their children not only physical but also spiritual life. Dear parents, I thank the Lord with you for the gift of these children and I invoke his assistance so that he may help you to raise them and incorporate them into the spiritual Body of the Church. As you offer them what they need for their growth and salvation may you always be committed, helped by their godparents, to developing in them faith, hope and charity, the theological virtues proper to the new life given to them in the Sacrament of Baptism. You will guarantee this by your presence and your affection; you will guarantee it first of all and above all by prayer, presenting them daily to God and entrusting them to him in every season of their life. If they are to grow healthy and strong, these babies will of course need both material care and many other kinds of attention; yet, what will be most necessary to them, indeed indispensable, will be to know, love and serve God faithfully in order to have eternal life. Dear parents, may you be for them the first witnesses of an authentic faith in God! In the Rite of Baptism there is an eloquent sign that expresses precisely the transmission of faith. It is the presentation to each of those being baptized of a candle lit from the flame of the Easter candle: it is the light of the Risen Christ, which you will endeavor to pass on to your children. Thus, from one generation to the next we Christians transmit Christ’s light to one another in such a way that when he returns he may find us with this flame burning in our hands. During the Rite I shall say to you: “Parents and godparents, this light is entrusted to you to be kept burning brightly”. Dear brothers and sisters, always feed the flame of the faith by listening to and meditating on the Word of God and assiduous communion with Jesus in the Eucharist. May you be assisted in this marvelous if far from easy role by the holy Protectors after whom these 13 children will be named. Above all, may these Saints help those being baptized to reciprocate your loving care as Christian parents. May the Virgin Mary in particular accompany both them and you, dear parents, now and for ever. Amen!



Posted by Father Hoisington at 8:40 PM



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Taken from:
http://reflectionsonthesacredliturgy.blogspot.com/2011/01/baptism-of-lord-pope-benedict-xvi.html